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Later that century, scientists learned that T. rex, part Godzilla, the lumbering dinosaur was based on the science of the day. The floor-to-ceiling mural took the Carnegie Tech-trained artist months to complete, and museum visitors got to watch as the depiction of the fierce creature took shape. They left with a dark and foreboding image baked into their brains, painted in 1950 by the museum’s chief artist, Ottmar von Fuehrer. Also, we have maybe 8 more songs recorded, so we will be releasing 2 more EPs after that, with a variety of sounds, but lots of rock and roll.For decades, visitors flocked to Carnegie Museum of Natural History’s original Dinosaur Hall to see its resident VIPs- Diplodocus carnegii, Apatosaurus louisae, and Tyrannosaurus rex. It is like a Stooges or MC5 inspired dirty guitar-riff rocker that is kind of about the revolutions going on today and in the past. We have a new single coming out soon called "Viva la Revolucion," which is a Rock & Roll song. Your versatility is really impressive! What can we expect to see from The Howlin' Souls in the next upcoming months? We can also pull off some alt-country type stuff, as well as straight-up Rock&Roll. I think our band has a few different sounds we can do, so far. "Anyway You Take It" is a disco groove song, whereas "Free & Young" is bluesy guitar-riff type song. Well, the songs are totally different styles. What's not to like! How do you feel your sound has changed since the last time Paper spoke to you, when your song "Anyway You Take It" premiered? The video is an invitation into our world. I hope people will understand the style of the videos comes directly from the inspirations that surround us. So, we produce and direct all of our videos together, which we only mention to note the passion we share for visual arts.
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What reactions are you hoping to invoke with the various types of cinematography used in Free & Young? One of them is actually an up and coming artist, Charlotte Lawrence, she had mentioned she actually heard our song before and was a fan of it. All the dancing was in real time with the music, they were digging it. Robbie has a photography studio in Tribeca, there are always have models coming in and out, so he turned on the camera and let them groove out to the song a few weeks back. And we filled in the blanks with some singing and some girls dancing.įor the Free & Young music video, what made you decide to use models and how did you come across these gorgeous ladies? The video is kind of a patchwork of images that follow the lyrics. The song was built around the guitar riff. He liked it and sent some lyrics back, and then we finished the lyrics together. I had the riff and the chorus that I kind of liked. I don't remember the inspiration actually. What was the inspiration behind your new song Free & Young? Can the same inspiration be seen in the music video? So all of these influences come through in our playing and gives us our sound. And Robbie comes up with a lot of Motown style bass lines, I think, but he is also really into 80s music. So he brings this kind of vibe to the band. Scott looked kind of like Johnny Thunders when I first met him and he is really into the Stooges, MC5, and New York Dolls. I like good songs from any era, but particularly from the late 60s and early 70s: Beatles, Stones, Velvet Underground, The Flaming Groovies. You can hear some of that in the album if you listen close. During the filming of Whiplash, he was playing a lot of Jazz too. And when he says, "Hey, listen to this," or "check out this record," it's usually from the 50s. Nate, our drummer, is really thinking in terms of old blues drummers, I think. Maybe it's an unfair generalization, but I think an easy way to think of it is that we all bring Rock & Roll from different eras: Nate-50s, Pete-60s, Scott-70s, Robbie-80s. Well, I think we have similar tastes in music but it varies somewhat. What do you feel each member of The Howlin' Souls brings to the table when making music? We just all want to play music that we like.Ĭraigslist! That's pretty lucky. And when we met Rob and Scott it worked right away. People would come in and we would jam to a few songs initially, maybe some Chuck Berry, Rolling Stones and a blues song. We had a space in the Music Building in Midtown Manhattan, Blondie, The Strokes & Madonna all used to practice and record there.
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Then I think we found Robbie and Scott from craigslist ads. I was playing with Nate in a different band, which broke up, but he and I continued on. You all talk about sharing a love for Classic Blues, Motown and R&B, but how did you all meet and was it this shared interest that formed the band?